A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape (set in contemporary Hong Kong), he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways.

At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at the house where she lives with her mother and her sister Muriel, for whom she intends Claude. During these holidays, Claude, Ann and Muriel become very close and he gradually falls in love with Muriel. But both families lay down a one-year-long separation without any contact before agreeing to the marriage. So Claude goes back to Paris when he has many love affairs before sending Muriel a break-off letter.

In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.

A ruthlessly ambitious lord, egged on by his wife, works to fulfill a prophecy that he would become Emperor.

An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.

This is a touching and somber journey of Lasya, who lives with her father Karma and younger brother Chomo in a remote village in the Himalayas. Pristine snow capped mountains surround their tiny hamlet and barren harsh land stretches for miles into nowhere. One day the army moves in and settles a hundred yards across their doorstep.The last bit of comfort the family draws from their familiar surrounding changes into a harsh ceaseless irreversible conflict. The film depicts the life of this family whose dream- like existence is interrupted by inevitable odds, one after the other…

Director: Brian Desmond Hurst
A reflection of 19th century industrial capitalism, Charles Dickens’s timeless tale is about an old merchant scrooge who’s own disappointments in life shape his views that both life & men are not worthy of his notice or concern. And then learns how wonderful & fulfilling life can be with a little generosity at Christmas time from three specters who visit him the night before Christmas.

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Director: Pankaj Butalia
Abandoned by their families to lives of penury, marked by the white veils which they wear, Bengali widows find solace and food in the ashrams of Vrindavan where they gather every morning and evening to sing religious songs. In this profoundly moving documentary on widowhood portrayed both as social institution and personal tradition, moments of astonishing sensuous beauty alternate with rhythms of anguish. In the best of the new ethnographic tradition, ‘Moksha’ de-centres the voices of authority and allows a plurality of voices to introduce contesting positions. Haunting in its evocation of grief and anger, the film transcends documentary and assumes its place in the great tradition of lamentation, the expression of the dark night of the human soul.

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Director: W.S. Van Dyke
Considered as one of the most influential science fiction films ever, it was also the most expensive film from the silent era. It gives a futuristic look at the schism created in mankind as industrialization and technological advancement serves to alienate the humans from one another. Metropolis features special effects and set designs that still impress modern audiences with their visual impact – the film contains cinematic and thematic links to German Expressionism.

Director: William A. Wellman
In the 1930’s, The public Enemy crystallized the theme of Little Caesar and delved even more deeply into the making of a gangster. Directed by William Wellman the film follows two young boys and their growth from shoplifters to hardened criminals. It stars James Cagney and Jean Harlow (whose role is minimal, yet billed on every poster). More coherent and focused than Little Caesar (it included dates to orient the audience when time passed); Public Enemy was also more violent, and helped to spur the cry for censorship.

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Director: Vittorio De Sica
It's a moving story of two mischievous youngsters in war torn Italy who wish to buy a horse from their savings. They get involved in black market as a means of survival and are sent to a horrifying 'reform school' - really a miniature prison. And tragedy ensues. One of the first major successes of Italian neorealist movement, this is the first picture to win Best Foreign Language Film Oscar..

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Director: Robert James Hamer
Louis Mazzini (Dennis Price), a man born with royal blood. Due to a scandal -- his mother ran off with a lowly Italian musician -- the family refuses to recognize his heritage, or even his existence. When his mother dies, Louis vows to restore himself to his rightful place by murdering the entire line of the D'ascoyne family, eight of them, so that he'll be next in line for the dukedom. Alec Guinness plays eight different roles in the film.

Director: D.W. Griffith
The birth of a nation (also known as The Clansman), directed by D.W.Griffith and released in 1915, is one of the most influential and controversial of American motion pictures. Set during and after the American Civil War, the film was based on Thomas Dixon’s The Clansman, a novel and play. The Birth of a Nation is noted for its innovative technical and narrative achievement, and its status as the first Hollywood “blockbuster”. It has provoked great controversy for its treatment of white supremacy and sympathetic of the rise of the Ku Klux Klan.

Director: George Cukor
Beautiful and trusting, Paula Anton (Ingrid Bergman) is slowly tormented by mysterious happenings in her luxurious Victorian home. The suspects is her devoted husbands Gregory Anton (Charles Boyer).But viewing the world through the dim glow of the gaslight, it is difficult to tell what is real and what is imagined. Magnificent performances from the stars in this powerfully guided study in obsession…

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Director: George Cukor
Based on Alexandre Dumas Fils' La Dame aux Camélias, the film depicts a doomed romance of a courtesan in 19th century Paris. Greta Garbo's portrayal of the beautiful but sickly Parisian courtesan, who fatefully falls in love with a young French nobleman (25 year-old Robert Taylor), is widely considered the definitive version of the romantic tragedy.

Director : David Lean
In this classic British drama, Laura Jesson (Celia Johnson) is a housewife whose marriage is not everything she desires it to be. When she meets Dr. Alec (Harvey) in a cafe at the railway station, their chance meeting turns into a full-blown love affair. He also has a wife and family, and is leaving the country, so their affair, while potent, is indeed, brief.

Director: Michael Powell and Emeric Pressburger
A group of Anglo-Catholic nuns open a school and a hospital in an isolated Himalayan valley. As they face a series of obstacles from the villagers and a hostile environment, tensions begin to grow. In Michael Powell's own view, this film (starring Deborah Kerr, Sabu, Jean Simmons, David Farrar and Flora Robson) was the most erotic film he ever made.

Director: Sergei M. Eisenstein
Regarded as one of the most significant works in the history of silent pictures, as well as possibly Eisenstein’s supreme work, Battleship Potemkin brought his theories of cinema art to the world in a powerful showcase; his emphasis on montage, his stress of intellectual contact, and his treatment of the mass instead of the individual as the protagonist. The film tells the story of the Russian ship Prince Potemkin where a horribly bloody mutiny took place during the 1905 uprising. Eisenstein signals this as the jumping off point for the revolution.

Director : Federico Fellini
Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of cinema. With utmost honesty spilled on screen, this is the perfect example of a film made on films. Acknowledged as a highly influential classic, the film frequently pops up in countless lists of best films ever made.

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